KRITIK DES
KRITI­SCHEN REGIONALISMUS

DIE UNHEIM­LICHE GESCHICHTE DES EINFAMILIEN­HAUSES (IN GERMAN)

 

LEC­TURE AS PART OF THE SEM­INAR REGIONA­L*ISMEN: THE GOOD, THE BAD AND THE UGLY by VIS­IT­ING PRO­FESSOR DR. ELENA MARKUS

History and The­ory of Archi­tec­ture, UNI­VER­SITY KASSEL
JUNE 19, 2026

The single-family house is the German’s dream home. Des­pite all today’s cri­ti­cism, it still sym­bol­izes region­al­ist archi­tec­ture and a family-friendly life­style in the coun­tryside. Yet its past as a work­ers’ and farm­ers’ house, as well as its history as set­tle­ment archi­tec­ture and bar­racks, remains shrouded in mys­tery. It is time to tell the eerie story of the single-family house. 

 

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Kritik des kritischen Regionalismus. Die unheimliche Geschichte des Einfamilienhauses (in German).</p>
<p>Lecture as part of the seminar Regional*Ismen: The Good, The Bad And The Ugly von Gastprofessorin Dr. Elena Markus</p>
<p>History And Theory Of Architecture, University Kassel, june 19, 2026

Max Taut et al., Build­ing for the Work­ers’ Wel­fare Asso­ci­ation, Dresden, 1906 / Gustav Hassen­pflug, Grow­ing House, Han­over, 1951 © Archi­tec­ture Museum of TUM

Von der
Weltaus­­stellung zur
Bauaus­­stellung

Eine Architektur­geschichte
großer Ausstel­lungen
1851–1957

Habilitation at the School of Engin­eer­ing and Design at Tech­nical Uni­ver­sity Munich, fun­ded by German Research Found­a­tion (DFG)

Study on the archi­tec­ture, polit­ics and typo­logy of large exhib­i­tions, with twenty case studies that form a gene­a­logy of their own.

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It will be pub­lished in June 2026 by Jovis Ver­lag, Berlin.

"Von der Weltausstellung zur Bauausstellung. Eine Architekturgeschichte großer Ausstellungen 1851–1957". Habilitation at the School of Engineering and Design at Technical University Munich, funded by German Research Foundation (DFG)

ARCHI­­TEC­­TURE
AND MIGRA­­TION

MAS­TER SEM­INAR, WINTER SEMESTER 2025/2026

 

REGINE HESS, CHAIR OF ARCHITEC­TURE HISTORY AND CURA­TORIAL PRAC­TICE, TU MUNICH

EXHIB­I­TION IN COOPER­ATION WITH HAUS DER DONAU­SCHWABEN, HAAR

In the sem­inar, stu­dents from seven coun­tries explored the top­ics of ver­nacu­lar archi­tec­ture, (forced) migra­tion, and com­munity build­ing. They presen­ted their research ques­tions and find­ings in an exhib­i­tion at the Haus der Donaus­chwaben. This com­munity cen­ter pre­serves and com­mu­nic­ates the history and cul­ture of eth­nic Ger­mans who were expelled from Hun­gary, Yugoslavia, and Romania in 1945. 

In the exhib­i­tion, the stu­dents trace memor­ies pre­served in the archi­tec­ture and build­ing tra­di­tions of the Danube Swa­bian com­munity and Danube Swa­bian Women as cre­at­ors of space, in Islamic burial sites and migrant res­taur­ants in Munich, in cultural cen­ters of the Alevi dia­spora in Ger­many, in the archi­tec­tural heritage of sea­sonal work­ers in Geneva, and in the nomadic build­ing cul­ture of the Sami in Norway.

 

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Archi­­tec­ture and Migra­­tion. Master Seminar, Winter Semester 2025/2026 Exhibition in cooper­ation with Haus Der Donau­schwaben, Haar
Lecture. Wer wohnt wo auf großen Ausstellungen? Dr. habil. Regine Hess. Wohnen +/- Ausstellen Studio Vortragsreihe. Mariann Steegmann Institut, Universität Bremen. January 20, 2026

WER WOHNT WO AUF GROSSEN AUSSTELLUNGEN?

UNGLEICHE (WOHN-)­MODELLE ZEIGEN
(IN GERMAN)

LEC­TURE

WOHNEN +/- AUS­S­TEL­LEN STU­DIO VORTRAGSREIHE

MARI­ANN STEE­G­MANN INSTI­TUT, UNI­VERSITÄT BREMEN

B.ZB BREMER ZEN­TRUM FÜR BAUKUL­TUR
JANU­ARY 20, 2026

Large exhib­i­tions such as world, arts and crafts, colo­nial and build­ing exhib­i­tions fea­ture a con­sid­er­able amount of archi­tec­ture on a scale of 1:1. They have also repeatedly displayed liv­ing and know­ledge about it, rep­res­en­ted by palaces, houses, huts, rooms, gar­dens, fur­niture, cloth­ing and equip­ment. In doing so, they exhib­ited (dewlling) mod­els of inequal­ity between classes, genders, eth­ni­cit­ies and nations. The exhib­i­tion grounds, under­stood as a “ter­rit­ory” (Stu­art Elden) on which the organ­izers determ­ine inclu­sion and exclu­sion, are the scene of con­flict where one group exer­cises con­trol over others.

 

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NACHDEN­KEN
ÜBER NAHOST

LEC­TURE SERIES

REGINE HESS
CON­TESTED HISTORY.
ARCHI­TEC­TURE IN PALESTINE AND ISRAEL (IN GERMAN)

UNI­VER­SITY OF BERN
Octo­ber 27, 2025

Can the archi­tec­tural history of Israel and Palestine con­trib­ute to the under­stand­ing of the Middle East con­flict? As this is a long-last­ing global con­flict, the lec­ture high­lights the history of ter­rit­ory, colo­ni­al­ism, migra­tion and set­tle­ment from the end of the 19th cen­tury to the 1980s. The aim is to gain a bet­ter under­stand­ing and to observe the unknown at first – inso­far as this is pos­sible in a con­flic­ted research environment.

 

Program Lecture Series "Nachdenken über Nahost" at the University of Bern. 7 October 2025

WOHNEN MIT KLASSE

ED. BY AMELIE OCHS AND ROSANNA UMBACH
SUPERVISION BY REGINE HESS

Kritische Berichte.
Journal for Art History
and Cultural Studies, 2/2025

Hous­ing and class are inex­tric­ably linked. The art­icles in this issue ana­lyze this con­nec­tion with a view to images of hous­ing in pho­to­graphy, film, magazines, archi­tec­ture (debates) and on social media and dis­cuss how class rela­tions are made vis­ible and invis­ible in them. The issue is pub­lished in German.

Down­load the issue          Ulmer Ver­ein

Wohnen mit Klasse. Ed. by Amelie Ochs and Rosanna Umbach. Supervision by Regine Hess. Kritische Berichte. Journal For Art History And Cultural Studies, 2/2025
A FUTURE FOR
WHOSE PAST?

THE HERITAGE OF MINORITIES, FRINGE GROUPS AND PEOPLE WITHOUT A LOBBY

ETH ZURICH, CONSTRUC­TION
HERI­TAGE AND PRESERVATION

PRO­JECT MAN­AGER AND ACQUI­SI­TION OF THIRD-­PARTY FUNDS
2022/­2023

The motto of the European Archi­tec­tural Heritage Year 1975 was “A Future for our Past.” 50 years later, in view of the con­sequences of glob­al­isa­tion, diversity, cli­mate change, migra­tion and dis­place­ment, we are faced with the ques­tion of who is meant by “us” at all.
The research and exhib­i­tion pro­ject is based on an idea by Prof. Dr. Silke Langenberg. It asks whose heritage we are talk­ing about, who determ­ines what is import­ant for society’s memory, and what char­ac­ter­ises this soci­ety? Do the objects pro­tec­ted by laws on monu­ments, nature and heritage con­ser­va­tion in the German-speak­ing coun­tries and thus pre­served for the future really rep­res­ent history? Or have we not been talk­ing about his­tor­ies for a long time? What heritage is sig­ni­fic­ant for out­siders and mar­gin­al­ised groups without a lobby, and what meas­ures should be taken to ensure that the heritage of the future really reflects the social devel­op­ments of the past? What does inclu­sion in heritage mean? The exhib­i­tion and pre­par­at­ory research are inten­ded to hon­our the res­ults and achieve­ments of the European Archi­tec­tural Heritage Year 1975, to reflect on the cur­rent situ­ation and to provide impulses for the future devel­op­ment of preservation. Cooper­a­tion part­ners are ICOMOS Ger­many, ICOMOS Aus­tria and the S AM Swiss Museum of Archi­tec­ture. The pro­ject is fun­ded by the Fed­eral Office of Cul­ture (BAK).

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Pro­ject man­age­ment and acquis­i­tion also included the suc­cess­ful applic­a­tion for an inter­na­tional conference to be held on Monte Ver­ità in Ascona from 22 to 24 Octo­ber 2025 and the pub­lic­a­tion A Future for whose Past? A Guide­book, ed. by ICOMOS Suisse/ETH Zurich, Con­struc­tion Heritage and Preservation, Zurich 2025

Find out more about the conference

A Future for whose Past? A Guidebook

ETH Zurich. A Future for whose Past? The Heritage of Minorities, Fringe Groups and People without a Lobby. Regine Hess – Project Manager and Acquisition of Third-Party Funds 2022/2023

DAS ERBE VON
MINDER­HEITEN /
THE HERITAGE OF
MINORITIES

ed. by Regine Hess,
ORKUN KASAP, SILKE LANGENBERG

Kritische Berichte.
Journal for Art History
and Cultural Studies, 1/2024

The issue brings together con­tri­bu­tions from monu­ment preservation, archi­tec­ture and art history on top­ics of labor, gender, race, child­hood, psy­cho­path­o­logy, sub­cul­ture and the right of mar­gin­al­ized groups to the European archi­tec­tural and cultural heritage. The authors are Clara Aroki­asamy OBE, Pres­id­ent of ICOMOS UK (inter­viewed by Regine Hess), Tom Aver­maete, Rune Frand­sen, Kos­tas Tsi­am­baos, Coordin­ator of DOCO­MOMO, Greece.

kb Debate 2024: The rules of the debate
The exist­en­tial crises of recent years – cli­mate change, the covid-19 pan­demic, the latest wars and the rise of polit­ical pop­u­lism – have led to a social debate cul­ture that is increas­ingly emo­tional and ideo­lo­gical. The harden­ing of ideo­lo­gical stand­points and the com­mu­nic­at­ive logic of the new media are accom­pan­ied by a boom in altern­at­ive offers of truth, which are increas­ingly accom­pan­ied by attacks on science and its insti­tu­tions that con­stantly chal­lenge the scientific rules of find­ing truth and solu­tions. The debate topic there­fore aims to ask what strategies the human­it­ies, and spe­cific­ally art history, can offer to counter the erosion of the basic rules of a demo­cratic exchange of opin­ions and the loss of trust in inde­pend­ent science. The debate begins with Wolfgang Ullrich’s con­tri­bu­tion Kunstwelt im Kon­f­likt.


Read more about edi­tion 1/2024          Ulmer Ver­ein

Das Erbe von Minderheiten / The Heritage of Minorities, ed. by Regine Hess, Orkun Kasap, Silke Langenberg kritische berichte. Journal for Art History and Cultural Studies, 1/2024
WITH/OUT IDEN­TITY
WITH/OUT IDENTITY</p>
<p>REGINE HESS (ETH ZURICH)<br />
KEY NOTE LECTURE</p>
<p>Das Forschungs- Und Vermittlungsprojekt A FUTURE FOR WHOSE PAST? The heritage of minorities, fringe groups and people without a Lobby. Zum 50. Jubiläum des Europäischen Denkmalschutzjahres</p>
<p>7. Jahrestagung Graduiertenkolleg Identität und Erbe</p>
<p>24.11.2023<br />
Bauhaus-Universität Weimar<br />

REGINE HESS (ETH ZURICH)
KEY NOTE LECTURE

7. JAHRESTA­GUNG GRADUIERTEN­KOLLEG IDEN­TITÄT UND ERBE

24.11.2023
BAUHAUS-UNI­VERSITÄT WEIMAR

 

DAS FORSCHUNGS- UND VER­MITTLUNG­S­PRO­JEKT A FUTURE FOR WHOSE PAST? THE HERITAGE OF MINORITIES, FRINGE GROUPS AND PEOPLE WITHOUT A LOBBY ZUM 50. JUBILÄUM DES EUROPÄIS­CHEN DENKMALSCHUTZJAHRES

The cultural turn, post­co­lo­ni­al­ism and crit­ical heritage studies have changed the concept of heritage from a canon­ical to a dis­curs­ive epi­stem­o­logy. Migrant com­munit­ies demand a new approach to exist­ing monu­ments that is dif­fer­ent from norm­at­ive con­cepts of iden­tity. Build­ing cul­ture and the con­ser­va­tion of exist­ing build­ings chal­lenge the value sys­tem of monu­ment preservation.


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Designed Orders

Lec­ture Series

REGINE HESS (ETH ­ ZUrich)
Oth­er­ing Displayed:
Racial­ized Space­mak­ing of
German Exhib­i­tions

Designed Orders Lecture Series. Architectures of Order. Regine Hess (ETH ZUrich) – Othering Displayed: Racialized Spacemaking of German Exhibitions

LOEWE Research Cluster:
Archi­tec­ture of Order.
Prac­tices and Discourses between Design and Knowledge

 

02.02.2023
Goethe Uni­ver­sity Frankfurt

Archi­tec­ture
Con­flict

ed. by Regine Hess,
work­ing group
Archi­tec­ture Conflict

Kritische Berichte.
Journal for Art History
and Cultural Studies, 2/2023

This issue is ded­ic­ated to con­flict in archi­tec­ture. Here, we con­sider plan­ning and build­ing in at its most import­ant – con­flic­tual – stages, where a mul­ti­tude of dif­fer­ent act­ors are involved. Archi­tec­ture and preservation are thus more strongly embed­ded in the polit­ical, social, and his­tor­ical sci­ences. Research­ing con­tro­ver­sies and the pro­duc­tion of dif­fer­ence are guid­ing research prin­ciples. The work­ing group Archi­tec­ture Con­flict is inter­ested in a his­tor­ical, source-crit­ical per­spect­ive on built and unbuilt archi­tec­ture, pub­lic space, infra­struc­tures, as well as those nar­rat­ives, insti­tu­tions and inter­ac­tions doc­u­ment­ing that.
This year’s debate on Queer­ness in Art Sci­ences is con­tin­ued by the con­tri­bu­tion «Queer Spa­tial Prac­tice: The Forum Queer Archive Munich as stor­age of memory and feeling».


Read more about edi­tion 2/2023          Ulmer Ver­ein

Architecture Conflict, ed. by Regine Hess, working group Architecture Conflict Kritische Berichte. Journal for Art History and Cultural Studies, 2/2023
Decon­struc­tion –
Void and Emotion
in Contem­porary Architecture

Lec­ture by REGINE HESS

May 10, 2023. ­4 – 5:30 p.m.

Depart­ment of Art History,
DEPT. archi­tec­tural history,
Uni­ver­sity of Cologne

Deconstruction – Void and Emotion in Contemporary Architecture
Staats-
bau­schule München

Architek­tur,
Kon­struk­tion und
Ausbildungs­tradition

© pk-Odessa Co. @sebastianschels

Die Fotografie der Aula ist Teil einer Serie der Hochschule München des Fotografen Sebastian Schels © Sebastian Schels
Silke Langenberg, Karl R. Kegler, Regine Hess (eds.), Staatsbauschule München. Architektur, Konstruktion und Ausbildungstradition, Munich 2022 © Ivan Sterzinger

© Ivan Sterzinger

Silke Langenberg, Karl R. Kegler, Regine Hess (eds.), Munich 2022

 

The Fac­ulty of Archi­tec­ture at Munich Uni­ver­sity of Applied Sci­ences cel­eb­rates the 200th anniversary of its found­ing in 2022. Its pre­de­cessor insti­tu­tion, the Staats­bau­schule München, is one of the old­est schools of archi­tec­ture in Ger­many. The book is ded­ic­ated to it with essays by Karl R. Kegler, Silke Langenberg, Chris­tian Schuler, Regine Hess, Chris­ti­ane Fülscher, Andreas Putz, Ákos Moraván­szky, and Rein­hold Wink­ler, an inter­view with Peter Lanz, as well as his­tor­ical build­ing plans and pho­to­graphs by Tania Rein­icke, Rainer Viertl­böck and Sebastian Schels.


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Racism in
Archi­tec­ture

ed. by Regine Hess,
Chris­tian Fuhrmeister
and Monika Platzer

Kritische Berichte.
Journal for Art History
and Cultural Studies, 3/2021

Racism in Architecture, ed. by Regine Hess, Christian Fuhrmeister and Monika Platzer, Kritische Berichte, Zeitschrift für Kunst- und Kulturwissenschaften, 3/2021 © Jonas-Verlag

With peer reviewed art­icles by Maja Lee-Voigt, Ito­han Osay­im­wese, Kenny R. Cupers, Ole W. Fisc­her, Monika Platzer, Regine Hess, Alex­an­dra Klei, Sabine Girg, Mira Anneli Naß, the announce­ment of the net­work of Black pro­fes­sion­als work­ing in the build­ing industry by Cath­ar­ina Meier, “Smash­ing Fig­ures” by Birgit Sze­panski, and a con­ver­sa­tion by Ben­jamin Kaufmann and Chris­tian Fuhrmeister.

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Lettering “Schande“ applied to the pedestal of the Lueger Memorial in Vienna, 2021 © Schandwache

Let­ter­ing “Schande“ applied to the ped­es­tal of the Lueger Memorial in Vienna, 2021 © Schandwache